The Boost/Overdrive combines the popular Boost/Line Driver with a punchy, dynamic overdrive circuit.
The Il Diavolo Overdrive features a classic circuit that’s been hot-rodded for enhanced midrange and low end frequencies with a three-position Hi/Low switch to select your preferred clipping style, from a smooth organic boost to sweet, smoky overdrive to full-on grind.
The Boost/Line Driver provides up to +20dB of ultra-clean boost to rejuvenate the sparkle, punch, and brilliance of your sound.
The Sub Machine Fuzz combines shaggy fuzz with a growling sub octave circuit-switchable between series and parallel modes-with an octave up fuzz mode for searing subterannean sounds.
The Super Badass Variac Fuzz is aggressive, biting, and highly versatile, featuring a Variac control to change the pedal's voltage from 5V to 15V for a range of fuzz tones. Go from vintage saggy saturation to wide open transparency with the twist of a knob.
The MXR Double-Double Overdrive serves up two classic overdrives in a single housing, selectable with the flick of a switch, with tone controls to season your sound to taste.
The La Machine Fuzz serves up thick, shaggy retro fuzz with a simple three-knob interface and an Octave switch for an octave up tone that's raw and searing.
The Il Torino Overdrive recreates the dynamic, touch responsive overdrive of classic tube preamps with a 3-band EQ and OD/Boost modes for sonic versatility.
This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine.
The Dime Distortion delivers a heavy, aggressive, razor-sharp tone that rages with distortion.
Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz Internal Gain & Tone pots shape the Octave Up Fuzz effect All analog circuitry, true bypass
Designed in close collaboration with Eddie Van Halen. The EVH 5150 Overdrive features multi-stage MOSFETs, a 3-band EQ, a Boost switch, and a noise gate for a versatile range of OD and distortion tones.
Traditional, transparent, and warm overdrive Adds sustain and gain without coloring your guitar or amp’s tone
Rich, warm analog tone Late '60s/early '70s crunch The guts of our BC-108-loaded Fuzz Face in a more pedal-board friendly shape
Super high-gain distortion 3-band EQ with midrange sweep SCOOP switch boosts highs and lows Switchable Noise Gate with sensitivity control